A Beryl and Edwina Mystery Series

In post–World War I England, foul play at a suspicious séance provokes the delightfully mismatched sleuthing duo of American adventuress Beryl Helliwell and prim Brit Edwina Davenport to dig up some dirt . . .

Hidden beneath her British reserve, Edwina has a secret: she’s finished her novel and is bravely mailing the manuscript to a publisher. Beryl also has a secret: as thanks for solving a case, the American adventuress has been gifted an airplane. After swooping over the fields and hedgerows of Walmsley Parva, livestock scattering beneath her, she flamboyantly lands the plane on the village green, prompting a startled Edwina to consider a stiff gin fizz.

Beryl’s aircraft is not the only disruption of village peace. Miss Dinsdale, a psychic medium, has started holding séances. After the church organist resigns to serve as musical accompaniment for the séances, the vicar’s wife hires the enquiry agents to expose the medium as a charlatan. Beryl is confident she can spot the fraud, having learned from Harry Houdini himself some tricks of the trade. The dubious Miss Dinsdale claims her spirit guide is an Egyptian princess whose mummy resides in a sarcophagus in the room. But the only body in the sarcophagus belongs to a murdered villager impaled with a dagger.

As the sleuths begin to investigate, Beryl discovers her plane has been sabotaged and wonders if there’s a connection. Whether in the air or on terra firma, Beryl and Edwina must go round a circle of suspects to divine the culprit . . .

Long before American adventuress Beryl Helliwell and prim and proper Brit Edwina Davenport teamed up as enquiry agents to solve mysteries, they attempted to unravel the mysteries of deportment and elocution. Now it’s back to school for the sleuths when murder strikes at their alma mater . . .

Neither Beryl nor Edwina are the least bit interested in attending events at their alma mater, Miss Dupont’s Finishing School for Young Ladies. Their lives are very full indeed in the village of Walmsley Parva. However, when a letter arrives from Miss Dupont herself requesting their help in a professional capacity, they reluctantly pack their bags for London.

Upon arrival, they learn from Miss Dupont that her business has seen a steep decline since the days before World War I and that now she is concerned a saboteur is attempting to damage the school’s reputation. Students have reported items missing, damaged possessions, and strange noises in the night.  Some of the girls even insist ghostly forces are at play.

Then a former classmate of theirs and mother of a prospective student is found dead on the school grounds. The roll call of suspects is long, and if Beryl and Edwina are to have a ghost of a chance of solving the murder, they can’t rule out the possibility that Miss Dupont herself may have finished off the victim . . .

Set in a charming English village just after WWI, Jessica Ellicott’s winning series returns to the witty antics of delightfully mismatched friends and sleuths-of-a-certain-age, Beryl and Edwina. Their personalities couldn’t be more different —Beryl is a brash, adventurous American, while Edwina is a prim and proper Brit—but the pair have a knack for solving mysteries. Now they’ve been hired to stage a faux investigation—until murder makes it all too real…
 


 

When a member of the Walmsley Parva upper crust, Constance Maitland, seeks to hire Beryl and Edwina for a sham investigation into an alleged dalliance by her sister-in-law Ursula to quell potentially scandalous accusations by an unstable cousin, it is with mixed feelings that they agree to pose as guests at her home, Maitland Park. Edwina is uncomfortable with the ruse, but Beryl is eager to escape tension with their feisty housekeeper and hobnob with bohemians as the Maitland family hosts an artists colony.
 
But when the painter suspected of having an affair with Ursula is found strangled beside his easel in a glade, the pretense turns into a genuine murder enquiry. With Maitland Park overrun by artists, every guest—not to mention family member—is now a suspect.
 
Beryl and Edwina must determine if they are dealing with a crime of passion or if there are more complex motives in play, which may include the family cigarette business, cutthroat artistic competition, or secrets from the war years. In any case, the intrepid sleuths will not leave until they have smoked out the real killer…
 

In the lean years following World War I, brash American adventuress Beryl Helliwell and prim and proper Brit Edwina Davenport form a private inquiry agency to make ends meet, hoping that crime does indeed pay . . .
 
The latest occurrence to disturb the peace in the quaint English village of Walmsley Parva hits rather too close to home—in fact, the prime suspect has taken up residence in Edwina’s potting shed. Her elderly gardener Simpkins has been secretly sleeping there after a row with his disreputable brother-in-law and housemate, Hector Lomax.
 
When Hector is found murdered in the local churchyard, Constable Gibbs comes looking for Simpkins, who was last seen arguing with his kin in the pub the night before. Based on the sad state of her garden, Edwina has grave doubts that the shiftless Simpkins could muster the effort to murder anyone. The two sleuths throw themselves into weeding out suspects and rooting out the real killer.
 
But this is no garden variety murder. The discovery of a valuable ring, a surprise connection to Colonel Kimberly’s Condiment Company, and a second homicide all force Beryl and Edwina to play catch-up as they relish the chance to contain the culprit . . .

One would hardly call them birds of a feather, but thrill-seeking American adventuress Beryl Helliwell and quietly reserved Brit Edwina Davenport do one thing very well together—solve murders . . .
 
Sharing lodging in the sleepy English village of Walmsley Parva has eased some of the financial strain on the two old school chums, but money is still tight in these lean years following the Great War. So when the local vicar—and pigeon-racing club president—approaches them with a private inquiry opportunity, the ladies eagerly accept. There’s been a spot of bother: the treasurer has absconded with the club’s funds and several prized birds.
 
Beryl and Edwina hope to flush out the missing man by checking his boardinghouse and place of employment at the coal mine. But when they visit the man’s loft, they find their elusive quarry lying in white feathers and a pool of crimson blood—the only witnesses cooing mournfully. Beryl and Edwina aren’t shy about ruffling a few feathers as they home in on their suspects, but they had better find the killer fast, before their sleuthing career is cut short . . .
 
Praise for Murder in an English Village
 
“With its strong sense of place and time in post-World War I England, this will be welcomed by fans of Frances Brody’s Kate Shackleton mysteries.”
—Library Journal (Starred Review)
 
“A spectacular series launch.”
—Publishers Weekly (Starred Review)