I entered thinking I understood what Greene would show me, thinking I understood these subjects well, but Greene’s words taught me to slow down, taught me to truly look at these subjects, to truly see what I initially neglected.—Colorado Review
It is impossible not to be moved by Greene’s essays, all caught up in a miraculous kind of exigency… Asks us to consider the nature of perspective in our daily lives…. The language isn’t caged or encased like a fossil, it’s conscious and considerate of each passing moment.—Pittsburgh Post Gazette
As with all good essays in the tradition of Montaigne, the seeming focus of Greene’s essays is both subject and springboard for meditations on what it means to move through this world, both natural and human-created. Her curiosity leads her to places many writers never arrive.—New Pages
Whimsical. . . . Every bit as strange and wonderful as the title promises, this delights.—Publishers Weekly, Starred Review
Greene brings ebullient inquisitiveness to 26 illustrated essays on matters human and animal, mundane and metaphysical. . . . With deftness and grace, she draws connections and meaning from her fresh take on a vibrant universe. A delightful collection.—Kirkus Reviews
Intricately considered (and remarkably intimate). . . . It is impossible not to be intrigued and beguiled.—Booklist
Astonishingly imaginative, wise, and weird, the essays in this illustrated collection. . . have the power to reshape the way one sees the world.—Shelf Awareness
Greene has a way of finding meaning in the unlikeliest of subjects.—OC Register, A Most Anticipated Book of 2025
No Less Strange or Wonderful doesn’t so much live up to its title as explode out of it. What the amazing A. Kendra Greene makes of the world, what she makes with the world, is unfailingly wondrous and revelatory, whether her subject is the Santa Barbara Zoo giraffe, balloon-twisting royalty, the dog that became a speck, Ebenezer Scrooge, or the manifold metaphor of Senator Ted Cruz as a sentient bag of wasps. Prepare yourself to be dazzled by this most original of writers.
—Ben Fountain, author of Devil Makes Three
I’d follow A. Kendra Greene’s writing anywhere—that’s how confident, how surprising, how crafty it is. She is truly one of the most delightful essayists in the game, which is reconfirmed within the first few pages of this bold new collection. What a joy to never know where an essayist of this caliber might take you next: to the zoo, to a balloon-twisting convention, to a tony Dallas Christmas party with its own bespoke Scrooge. You also might get taken to ontological places, emotional spaces, and other spots impossible to pinpoint on a map. Carry this fine book in your handbag, your knapsack, your marsupial pouch, and crack it open when you want to be transported.—Elena Passarello, author of Animals Strike Curious Poses
I am so taken with A. Kendra Greene’s takenness with things—funny-looking dogs, delighted devils, monotremes, the toes of the Universe, beautiful frozen toilet water. Her intoxicating book does the opposite of diminishing the world, and it took me to new places. Like a train that spurns conventional stations, conventional tracks, this book plunges into the wild, trackless unknown.—Amy Leach, author of The Everybody Ensemble
A. Kendra Greene’s newest essay collection is equal parts joy and surprise. The devil visits a bookstore. A dress made from balloons withers instead of pops. There are badgers with human hands, smells in the attic named Mortimer, a purloined bird specimen whose thief writes to say it’s doing just fine. And we read along, caught up as much in Greene’s language as we are in her knack for finding wisdom in the world’s smallest mysteries, its hidden delights.—Sarah Viren, author of To Name the Bigger Lie: A Memoir in Two Stories
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