Best Seller
Ebook
Published on May 09, 2024 | 352 Pages
Her fate is sealed. Her death is inevitable…
Carrie Rickard, leaving an abusive relationship back in London, tries to escape her past by throwing herself into her restoration project: Fairwood House, known to locals of Pagham-on-Sea as The Crows.
Unable to resist as it whispers to her, Carrie’s obsession only grows when she discovers it was the site of a gruesome unsolved murder. As she digs deeper into the mystery, she awakens dark and dangerous forces.
Cue an introduction to her foul-mouthed neighbour, Ricky Porter, who is as obsessed with The Crows as Carrie is, and who has several secrets of his own. Not least of which are what’s really under his hood, and what he’s got in the cellar…
A chilling gothic horror novel of haunted houses, eldritch monsters and things that go bump in the night.
Carrie Rickard, leaving an abusive relationship back in London, tries to escape her past by throwing herself into her restoration project: Fairwood House, known to locals of Pagham-on-Sea as The Crows.
Unable to resist as it whispers to her, Carrie’s obsession only grows when she discovers it was the site of a gruesome unsolved murder. As she digs deeper into the mystery, she awakens dark and dangerous forces.
Cue an introduction to her foul-mouthed neighbour, Ricky Porter, who is as obsessed with The Crows as Carrie is, and who has several secrets of his own. Not least of which are what’s really under his hood, and what he’s got in the cellar…
A chilling gothic horror novel of haunted houses, eldritch monsters and things that go bump in the night.
Author
C.M. Rosens
C. M. Rosens is an author of dark, genre-bending speculative fiction, particularly Gothic horror with tentacles and eldritch family drama, with body horror as a recurring theme. She is mainly to be found travelling between the hills of Wales and the plains of England, but loves visiting friends and family all over the world when she can. She has a PhD in a niche area of Medieval British Studies, and these days mostly applies her research skills in fiction rather than academia, which she enjoyed but doesn’t miss. Her work is heavily influenced by the histories, mythologies and folklore of places she grew up in and lived as an adult.
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