“A feeling of illegitimacy is shared by almost all class defectors. Whereas so many people who come from the dominant classes never ask themselves whether they are legitimate or not. They ‘naturally’ are. I’ve just read In Defence of Barbarism by Louisa Yousfi, a fairly short text. She is a journalist, the daughter of Algerian immigrants. She takes as her starting point a phrase by Kateb Yacine, who says: “I must retain a kind of barbarism, I must remain barbaric.” Basically, she’s opposed to total integration, using the rapper Booba as an example, his way of resisting assimilation. Staying barbaric echoes in me what I experience in the literary and media fields. It seems to me that the dominant classes are in no hurry to assimilate those who speak for the world they come from, to neutralise them in short. People would like me to forget everything that made my books exist, the social violence on which La Place and La Honte, for example, were written.”
—Annie Ernaux, winner of the 2022 Nobel Prize in Literature
“Louisa Yousfi, “a model pupil of the Republic” as she describes herself, has written a magnificent, stimulating and elegantly written essay “in defense of barbarism.” She explains why refusing domestication, pious and hypocritical niceties, the offer to be brought in the fold of assimilation, is the only way to produce pure creative acts and poetry. Compelling. A gem.”
—Françoise Vergès, author of A Decolonial Feminism
“In her brilliant and hard-hitting essay Rester barbare, the journalist references the writer Kateb Yacine as well as the rappers Booba and PNL to lay the foundations of a literary manifesto for a new decolonial mode of thinking in France.”
—Bruno Deruisseau, Les Inrockuptibles
“No question about it: with Rester barbare, Louisa Yousfi has produced an important text. A literary essay, a political manifesto informed by decolonial thinking, a powerful description of a collapsing world, and a reflection on integration and assimilation, Rester barbare gives a platform to indomitable voices that the West would prefer to silence.”
—Johan Faerber, Diacritik
“In a hard-hitting essay, journalist Louisa Yousfi reveals how an overabundance of culture has dampened her desire to “remain a barbarian”. Drawing on Booba’s rap, the writings of American authors (Chester Himes, Toni Morrison) and her own experience as an Arab and Muslim woman, she tenderly describes a figure of the barbarian who would benefit from being cherished rather than hated, protected rather than hidden.”
—Marie-Ève Lacasse, Libération
“To say this may be one of those essays that marks a turning point in my life would not be overstating its influence. First published in France as Rester barbare, this powerful piece builds on Algerian writer Kateb Yacine’s call to ‘retain a certain barbarism’ in the face of violent domestication, imperial conditioning and forced assimilation.””
—Karla J. Strand, Ms. Magazine
“Louisa Yousfi’s pugilistic essay collection, In Defense of Barbarism, shares [Baldwin’s] fury at the delusive promises of integration.”
—Bill Marx, Arts Fuse
“A thought-provoking and at times painful read. It will resonate with any reader who has felt the injustice of racism or the loss of their own language, religion and culture.”
—Subi Shah, New Internationalist
“In Defence of Barbarism is a compact punch to the gut of western colonialism and its detritus… a unique piece of work, one that raises questions and refuses succinct statements. If it makes you get off your couch and into the streets against the genocide in Palestine, it’s doing its job. Read it, share it, learn from it.”
—Ron Jacobs, Counterpunch
“Yousfi’s incandescent prose [and] her deft, striking sentences are engrossing.”
—Sophie Marie-Niang, Red Pepper
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