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Paperback
$19.00
Published on Aug 11, 2009 | 592 Pages
A hilarious, action-packed look at the apocalypse that combines a touching tale of friendship, a thrilling war story, and an all out kung-fu infused mission to save the world.
“A flat-out ferociously good novel…. Reads like a surrealist smashup of Pynchon and Pratchett, Vonnegut and Heller.” —Austin Chronicle
Gonzo Lubitch and his best friend have been inseparable since birth. They grew up together, they studied kung-fu together, they rebelled in college together, and they fought in the Go Away War together. Now, with the world in shambles and dark, nightmarish clouds billowing over the wastelands, they have been tapped for an incredibly perilous mission. But they quickly realize that this assignment is more complex than it seems, and before it is over they will have encountered everything from mimes, ninjas, and pirates to one ultra-sinister mastermind, whose only goal is world domination.
“A flat-out ferociously good novel…. Reads like a surrealist smashup of Pynchon and Pratchett, Vonnegut and Heller.” —Austin Chronicle
Gonzo Lubitch and his best friend have been inseparable since birth. They grew up together, they studied kung-fu together, they rebelled in college together, and they fought in the Go Away War together. Now, with the world in shambles and dark, nightmarish clouds billowing over the wastelands, they have been tapped for an incredibly perilous mission. But they quickly realize that this assignment is more complex than it seems, and before it is over they will have encountered everything from mimes, ninjas, and pirates to one ultra-sinister mastermind, whose only goal is world domination.
Author
Nick Harkaway
Nick Harkaway is the acclaimed author of Gnomon, The Gone-Away World, Angelmaker, Tigerman, and Titanium Noir, among others. He is the son of John le Carré, and has a unique insight into his father’s work. The Guardian writes of Harkaway that “his great gift as a novelist . . . is to merge the pace, wit, and clarity of the best ‘popular’ literature and the ambition, complexity, and irony of the so-called ‘literary’ novel”—a rare combination which le Carré himself also achieved.
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