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$60.00
Aug 06, 2024 | ISBN 9783791377384
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Praise
“Crewdson is reflecting across all his work as a major retrospective opens at the Albertina museum in Vienna, showing all his series together (minus his commercial work) for the first time. Among them, the self-titled show brings together his grand, eight-year endeavor “Beneath the Roses” from the mid-2000s, his earlier low-budget black-and-white images of “Hover” from 1996, and his meditative return to photography after a difficult period of divorce and transition, “Cathedral of the Pines” in 2013. The show’s curator, Walter Moser, framed the exhibition and catalog around Crewdson’s long dialogue with cinema, including inspirations such as David Lynch, Steven Spielberg and Alfred Hitchcock.” – CNN
“The book features more than 300 photographs and production stills that examine the complexities of American suburbia, be it through someone wandering a parking lot, shirtless and unmoored, or a twosome’s forlorn gazes into a television as its glow illuminates a basement, paired with writings from directors David Fincher and Matthieu Orléan, and novelist Emily St. John Mandel, among others.” – VANITY FAIR