The End of Love

Praise

“[A] blistering critique on love and relationships . . . Personal, historical, rigorous and readable, this is a fresh and essential feminist analysis on sexism, whiteness and toxic masculinity.”
—Ms. Magazine

“A critical and impassioned look at contemporary romantic norms and how they have been poisoned and perverted by racism and sexism . . . A provocative and enraging book.”
—Rebecca Traister, author of All the Single Ladies: Unmarried Women and the Rise of an Independent Nation

“Only Sabrina Strings could take on medieval courtship, the cultural history of side chicks, and racialized beauty norms in a single book. Reading it feels like spending time with a brilliant friend. Dr. Strings brings wisdom, vulnerability, and love to each chapter. The End of Love has the potential to change how we swipe and shows what’s possible if we break up with the heteronormative, white supremacist ideals of courtship and romance.”
—Jonathan Van Ness, writer, comedian, and television personality

“Refreshing and relatable, Strings displays vulnerability in a way that Black and ‘insufficiently white’ women will feel so seen. . . . Strings has outdone herself. I could not stop taking notes while reading and will be recommending this book to all of my clients!”
—Dr. Taylor Nolan, clinical sexologist, licensed psychotherapist, and host of Let’s Talk About It podcast

“A landmark treatment blending the personal with a blistering analysis of the intersection of gender, race, class, sexuality, and body size. This is a stunning must-read by one of the most gifted sociologists working today.”
—Kate Manne, author of Down Girl: The Logic of Misogyny

“Strings offers a rich, insightful examination of the ways that power and identity make their way into our most intimate longings and experiences. The End of Love is a must-read for anyone thinking about the state of relationships in American life today.”
—Soraya Chemaly, author of Rage Becomes Her: The Power of Women’s Anger

“Strings deftly traces the long history of the intertwined nature of whiteness and female desirability as she delineates the recent shift from the Romantic Ideal to the Pornographic Ideal. Provocative, incisive, and deeply personal, The End of Love is a tour de force in both the depth and breadth of its feminist and historical analysis.”
—Tanya Golash-Boza, author of Before Gentrification: The Creation of DC’s Racial Wealth Gap