It’s early morning in New York, a few days after Christmas and bitter cold. A white detective named Walker accuses the black workers at a luncheonette on 37th Street and Fifth Avenue of stealing his car. He’s been drinking—a lot. By the time he corners Fat Sam in the refrigeration room, he’s raving mad, and his .32-caliber revolver goes off. But who would believe it was an accident? Two other men work in the luncheonette, and in his fuming, psychotic state, Walker is determined to take out these witnesses. One of them, Luke, he kills in cold blood. But the other, Jimmy, gets away by the skin of his teeth. As Jimmy tries to stay one step ahead and desperately pleads with the authorities that the killer is on the force, Walker closes in until the chase culminates in an explosive conclusion.
Author
Chester Himes
Chester (Bomar) Himes began his writing career while serving in the Ohio State Penitentiary for armed robbery from 1929 – 1936. His account of the horrific 1930 Penitentiary fire that killed over three hundred men appeared in Esquire in 1932 and from this Himes was able to get other work published. From his first novel, If He Hollers Let Him Go (1945), Himes dealt with the social and psychological repercussions of being black in a white-dominated society. Beginning in 1953, Himes moved to Europe, where he lived as an expatriate in France and Spain. There, he met and was strongly influenced by Richard Wright. It was in France that he began his best-known series of crime novels—including Cotton Comes to Harlem (1965) and Run Man Run (1966)—featuring two Harlem policemen Gravedigger Jones and Coffin Ed Johnson. As with Himes’s earlier work, the series is characterized by violence and grisly, sardonic humor.
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