The Dissonance

Praise

MOST ANTICIPATED: PASTE • GIZMODO • DEEP SOUTH MAGAZINE • LONE STAR LITERARY LIFE
 
“Stunning. . . . There is an honest grit to Hamill’s writing that makes it perfect for the 2020s. Like fellow Texan Stephen Graham Jones, Hamill has a love of the decrepit side of small-town life where drug addiction, poverty and small-minded cruelty offer their own spin on fantasy and Gothic tropes. . . . The Dissonance is a remarkable follow-up to one of the best horror debuts in recent memory.”
—Jef Rouner, Dallas Observer

“Shaun Hamill has solidified himself as a master of literary horror, of works that satisfy the spooky requirements of the weird tale while simultaneously providing the grounded pleasures of literary fiction.”
—Roberto Ontiveros, The Dallas Morning News

“One of the most ambitious genre books of the year, and we’d expect nothing less from Hamill.”
—Matthew Jackson, Paste

“A brilliantly rendered tale of friendship, redemption, cosmic horror, and so much heart. The Dissonance cements Hamill as a master world-builder and one of the most exciting voices in fantasy today. I already want to reread this book.”
—Erin A. Craig, #1 New York Times bestselling author of House of Roots and Ruin

“Pure magic. A novel that sparks with wonder, heartbreak, and hope. Wildly endearing and compulsively readable, with an immersive, richly drawn world and vibrant characters you’ll never forget. The truths within—about friendship, about pain, about growing up and making mistakes— are beautiful and absolute. A masterpiece.”
—Rachel Harrison, national bestselling author of Black Sheep and Such Sharp Teeth

“The Dissonance packs all the punch of a ‘kids on bikes’ adventure—that is, if instead of bikes, the kids were riding waves of terror conjured by eldritch horrors. Shaun Hamill will make you nostalgically recall your first kiss—and mere pages later, he’ll gift you a demon in a skinsuit puking out its own entrails. And the most messed up part? It works. If you, like me, wish there was an Animorphs for fucked up grown-ups—wish granted.”
—GennaRose Nethercott, author of Thistlefoot

“The most impressive magical feat of The Dissonance are the four teen friends and their complicated, cringy, familiar wart-filled relationship, one imbued with enough love to refill your soul. The result is that this wildly imaginative, thrilling, time-hopping, magic and monsters epic feels authentic and lived in. Not sure how Shaun did it. The jerk.”
—Paul Tremblay, author of The Cabin at the End of the World and A Head Full of Ghosts 

“Shaun Hamill proves there are strange new worlds yet to be explored on the bookshelf. The Dissonance is yet another testament to Hamill’s mantel as a master storyteller, blending the terrors and wonders of traumatic magic. You won’t read another novel quite like The Dissonance this year, or perhaps ever in this life—or even beyond it.”
—Clay McLeod Chapman, author of What Kind of Mother and Ghost Eaters

“Dark and enchanting. . . . Hamill weaves a tale of magic, teen angst, [and] the power of enduring friendship. . . . Fantasy readers won’t want to put this down.”
—Publishers Weekly (starred review)

“A deeply felt story of loss, love and a chance at redemption, solidifying [Hamill’s] place as one of genre fiction’s brightest rising stars. . . . The Dissonance will hook you with its phantasmagoria of dark imagery, but it will keep you reading because it’s a story about how the shared traumas of our youths can both shape us and save us. It’s fantasy, horror, a coming-of-age journey and so much more.”
—Matthew Jackson, BookPage (starred review)

“Exceptional plotting. . . . This is dark academia that takes place in someone’s backyard, sweeping the protagonists into a whirlwind of cosmic horrors and alternate dimensions. It’s also a moving tale of the friendship between believable characters that are rough around the edges. A great pick for fans of Stephen King’s It, only with a more fantastical and angsty edge.”
—Andrea Dyba, Library Journal

“A treat for readers whose nostalgia gravitates to the likes of Stand by Me, Twin Peaks, or, most thematically, Stephen King’s It. In a similar vein to Chuck Wendig’s Miriam Black novels or Stephen Graham Jones’ Indian Lake trilogy, Hamill takes some ordinary young people and puts them through the metaphysical wringer to see what’s left at the end. . . . A wistful, emotional roller coaster.”
—Kirkus Reviews