The Border Simulator
By Gabriel Dozal
Translated by Natasha Tiniacos
By Gabriel Dozal
Translated by Natasha Tiniacos
By Gabriel Dozal
Translated by Natasha Tiniacos
By Gabriel Dozal
Translated by Natasha Tiniacos
By Gabriel Dozal
Read by Gabriel Dozal and Natasha Tiniacos
Translated by Natasha Tiniacos
By Gabriel Dozal
Read by Gabriel Dozal and Natasha Tiniacos
Translated by Natasha Tiniacos
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$17.00
Aug 15, 2023 | ISBN 9780593447291
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Aug 15, 2023 | ISBN 9780593447307
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Aug 15, 2023 | ISBN 9780593741337
269 Minutes
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Praise
“Word coyote Gabriel Dozal is crossing borders with this story. It’s his job: narrative poetry discovering a new language. We, the readers, are the customs agent. Will we let it cross? It’s the poet’s job to smuggle this story to us, to issue it papers, without us realizing it. ‘Language is expensive, / silence is expensive.’ In the end, Dozal’s poetry asks: Which side of the fence are you on?”—Sandra Cisneros, author of Woman Without Shame
“A new technology altogether—one that undoes the fabrication of the border so that we may see clearly all its violences & stories & teeth . . . Dozal’s poems are urgent/insurgent & will stick with me for a long time.”—José Olivarez, author of Promises of Gold
“This multilingual romp that Dozal and Tiniacos have given us is so smart and savvy in its multivalent, trailblazing, translational forms, so adept in its deadly playful linguistic experimentation, in its many genres of detainment. This book is a one-of-a-kind stunner.”—Daniel Borzutzky, National Book Award–winning author of The Performance of Becoming Human
“Brilliant, ambitious . . . This collection goes far beyond reimagining the U.S.-Mexico border and asks us to reckon with how technology simulates a border between insiders and outsiders, gamifying our distrust. . . . A wild Choose Your Own Adventure for the twenty-first century.”—Leigh Stein, author of What to Miss When
“Finally, an epic, capable of detecting the minutest spectral workings of border history in the making, stands before us. . . . A masterpiece of structurally interlocking new fables . . . It is a literary spectrometer of social possibilities. As Dozal puts it, ‘Where’s the pastfuture border?’”—Rodrigo Toscano, author of Explosion Rocks Springfield
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