We Live Here

“What makes this book remarkable is the intimately drawn true stories of ordinary people coming together to fight nefarious systems and demonstrate the possibility of winning against seemingly impossible odds. More than ever we need to believe it is possible to surmount the destructive forces that are ruining our health, our neighborhoods, our planet. Jeff Wilson and Bambi Kramer’s We Live Here! demonstrates the power of the comics to do just that.” —Peter Kuper, co-founder of World War 3 Illustrated and contributor to The New Yorker, The Nation, and Mad

“Jeffrey Wilson and Bambi Kramer’s We Live Here is a triumph of comic art and grassroots ethnography, taking the raw and powerful testimonies of Detroit residents in the crosshairs of racial capitalism’s predatory dispossession, and showing how street-level solidarity and neighborhood direct action kept people in their homes and built a movement. The panels of this book capture, with the utmost care and clear revolutionary love, the moments in which personal despair facing down foreclosure and eviction was transmuted, through organizing, into the power of community refusal. A visual and intellectual gift to anyone who wants to understand where and how truly radical responses to an unjust world are built.”
—John Duda, Worker-Owner, Red Emma’s Bookstore

“What a superb book of comics journalism on place-based solidarity in resisting eviction in neoliberal Detroit! A non-extractivist, publicly accessible and engaged account of the accumulative dispossessions assaulting Black and Latinx home-owners, and of racial capitalism in action. The texts and images draw us into the solidarity that enables non-white, working class resistance, deftly illustrating the nuances and complexities of the evictions, the politicization of the grass roots, their resistance as survivability, and the fight back itself.”
—Loretta Lees, Director of the Initiative on Cities and Professor of Sociology, Boston University

“An intimate, thought-provoking portrayal of a housing justice movement, Jeffrey Wilson and Bambi Kramer bring readers behind the scenes of Detroit’s foreclosure crisis, illustrating not only how financial institutions and speculators prey on Black and Brown communities but how organized communities can succeed in fighting back. Through deft narration and arresting illustration, We Live Here celebrates place-based solidarity, illuminating its essential ingredients: love, compassion, defense, refusal, education, mutual aid, and stories. Stories of housing justice, they argue, must not only be seen and heard but also shared. This must-read handbook for housing activism does just that. Comic book meets critical urban studies, it sets an exciting new precedent for visual scholarship that is at once thorough and accessible. An achievement and inspiration.”
—Sara Safransky, author of The City after Property: Abandonment and Repair in Postindustrial Detroit

“Wilson follows up The Instinct for Cooperation (an illustrated dialogue with Noam Chomsky) by partnering with co-artist Kramer for this galvanizing chronicle of hardscrabble victories won by a grassroots coalition dedicated to rescuing Detroit families from home foreclosure and eviction. In most of the firsthand accounts, success for the Detroit Eviction Defense hinges on preventing the delivery of a dumpster, which signals the final step in an eviction. “If that happens, they’ll remove you physically from the house,” says an organizer at a meeting with a family threatened with eviction. While battling evictions in courtrooms and bank cubicles, the DED’s most potent tactics include picket lines and crowding properties with parked cars to block dumpster deliveries. These efforts may take months, and depend on extensive volunteer commitment. In capturing the powerlessness felt by individuals pitted against unresponsive mortgage lenders, the portraits lay bare the racial disparities baked into Detroit’s much-celebrated revitalization. But as DED efforts repeatedly force banks to the negotiating table, the accounts also serve as testaments to organized action and strength in numbers. Kramer’s lightly stylized sketches lend each firsthand narrative a verisimilitude shaded with pathos and dignity. Personalizing the lingering aftereffects of the subprime mortgage crisis, this collection of resilient first-person testimonies is comics journalism at its most vital.”—Publisher’s Weekly