The Twilight World

Praise

One of The New Yorker’s Best Books of 2022

“[A] potent, vaporous fever dream; a meditation on truth, lie, illusion and time that floats like an aromatic haze through Herzog’s vivid reconstruction of Onoda’s war . . . Hofmann’s resonant translation conveys the portentous shimmer of Herzog’s voice.” —New York Times Book Review

“[A] wondrous first novel . . .” —The New Yorker

“[A] spare and lyric tale . . . In his feverish search for ecstatic truths, Herzog has given readers a portal into human folly, self-discipline and domination—surely his life’s work.” —Washington Post

“As profound and thought-provoking as the best of his films, Herzog’s The Twilight World delivers as a superb yet painful parable on the fleeting nature of purpose.” —San Francisco Chronicle  

“From the true story of a WWII soldier who kept up the fight until 1974, legendary filmmaker Herzog distills a brooding, poetic novella . . . Herzog, ever in pursuit of deeper truths, sees in Onoda’s predicament an all-too-ordinary tendency to subordinate facts to master narratives.” —Booklist

“There’s an element of the romantic as well in Herzog’s jungle survival tales, where the universe boils down to individuals wrestling with nature and being shaped by it in turn. . . . This is why Herzog loves the jungle, for its capacity to show us at our most abject and our most inspiring.” —The New Republic

“Filmmaker Herzog draws on the true story of a Japanese officer who patrolled the Filipino jungle for nearly three decades after WWII, unaware the war had ended, in his fascinating debut novel . . . Onoda shares with the director’s filmic protagonists a fierce will and singular perspective. This will whet the reader’s appetite for a film version.” —Publishers Weekly

“[A] stunning tale of obsession unto madness by a master of that narrow but fruitful genre . . . Recall director Herzog’s film Aguirre, The Wrath of God, (1972) and you’ll have a key to this story, whose details he calls ‘factually correct’—mostly. In Tokyo to stage a production of Chushingura in 1997, Herzog declines an opportunity to speak with the emperor and instead asks to see Hiroo Onoda, a Japanese commando who hid on a Philippine island from 1944 until 1974. Herzog tells Onoda’s tale from the beginning . . . Herzog fans will hope for a film to come. Meanwhile, this evocation of loyalty to a lost cause serves beautifully.” —Kirkus (starred review)

“Herzog is internationally acclaimed as a maker of films peopled by obsessive characters struggling in wild, uncontrollable settings. . . . [His] first novel is no different. . . . Through spare language and minimal detail that recall Herzog’s screenwriting technique, together with great leaps through time, the novel spans the full 29 years of Onoda’s remarkable story while keeping the focus on him. . . . A brief but powerful and noteworthy addition to the résumé of a master storyteller; fans of Herzog’s films will see the filmmaker’s cinematic fingerprints all over this absurdist, if absorbing, story.” ―Library Journal

“Fans of Herzog’s films—filled with obsessive characters, quixotic journeys, and the natural world as antagonist—will by captivated by his first novel . . . Part Aguirre, The Wrath of God, part Apocalypse Now, and part fever dream, Herzog’s The Twilight World casts a spell that asks us to consider who we are and what we’re fighting for.” —Elle