Margaret the First

Praise

Literary Hub, 1 of the 20 Best Novels of the Decade

“The duchess herself would be delighted at her resurrection in Margaret the First . . . Dutton expertly captures the pathos of a woman whose happiness is furrowed with the anxiety of underacknowledgment . . . [She] surprisingly and delightfully offers not just a remarkable duchess struggling in her duke’s world but also an intriguing dissection of an unusually bountiful partnership of (almost) equals.” —Katharine Grant, The New York Times Book Review

“This slender but dense imagining of the life of Margaret Cavendish, a pioneering 17th–century writer and wife of the aristocrat William Cavendish, could be classified as a more elliptical cousin of Hilary Mantel’s Thomas Cromwell novels . . . Ms. Dutton’s style is tightly poetic. ‘It was indescribable what she wanted,’ she writes of Margaret. ‘She wanted to be 30 people . . . To live as nature does, in many ages, in many brains.'” —John Williams, The New York Times

“Although Margaret the First is set in 17th century London, it’s not a traditional work of historical fiction. It is an experimental novel that, like the works of Jeanette Winterson, draws on language and style to tell the story . . . There is a restless ambition to [Danielle Dutton’s] intellect.”—Michele Filgate, The Los Angeles Times

“Margaret Cavendish (1623–73) did something that was vanishingly rare for women in 17th–century England: She became a famous writer . . . This is the story Danielle Dutton tells in her beguiling biographical novel Margaret the First . . . The loveliest aspect of this novel is its gentle, wondering portrayal of the Cavendish marriage. William, a poet and patron of the arts, encourages his wife’s ambitions even as they bring notoriety upon the household . . . Margaret laments when told of the scandal her writing provokes. Yet this inimitable woman made her reputation anyway, and Ms. Dutton’s novel charmingly enhances it.” —Sam Sacks, The Wall Street Journal

“Dutton’s Duchess . . . exists, in this book, as a study in textual vestiges, as much palimpsest as person . . . There are vivid, episodic bursts of narration, recounting a birthday party, the teasing of her by siblings, and Margaret’s time at court in Oxford, after the revolution interrupted her aristocratic family’s bucolic life . . . In Margaret the First, there is plenty of room for play. Dutton’s work serves to emphasize the ambiguities of archival proof, restoring historical narratives to what they have perhaps always already been: provoking and serious fantasies, convincing reconstructions, true fictions.” —Lucy Ives, The New Yorker

“Danielle Dutton engagingly embellishes the life of Margaret the First, the infamous Duchess of Newcastle–upon–Tyne.” —Vanity Fair

“With refreshing and idiosyncratic style, Dutton portrays the inner turmoil and eccentric genius of an intellectual far ahead of her time.” —Jane Ciabattari, BBC

“This vivid novel is a dramatization of the life of 17th–century Duchess Margaret Cavendish . . . While the novel takes place in the 1600s, the explorations of marriage, ambition, and feminist ideals are timeless.” —The Boston Globe

“What an excellent subject on which to hang a novel . . . Dutton’s literary voice is unusual, and arresting.” —Sarah Murdoch, Toronto Star

“Dutton refreshes Cavendish’s words for a contemporary audience, rendering them relevant and powerful once more.” —Megan Burbank, The Portland Mercury

“Conjured in a prose at once lush and spare —so precise and yet so rich in observation —Danielle Dutton’s Margaret is a creature exquisitely of her own creation, who can tell herself, and perhaps believe, that she ‘had rather appear worse in singularity, than better in the Mode.'”—Ellen Akins, The Minneapolis Star Tribune

“A perfect dagger of book: sharp, dark sentences, in and out quick.” —Jonny Diamond, Literary Hub

“Layered and engrossing. . . Dutton’s profile constructs [Margaret] as a fully formed, complicated human being, as a woman whose interests and inclinations stem from a complex personal history. It’s this profile that’s the star of the novel as much as its subject, since it deftly weaves together primary and secondary sources to form a wholly integrated, believable and gripping account of a woman who didn’t belong to the times in which she was born, not least because these times were too volatile for her to ever plant herself in them.”—Electric Literature

“Dutton’s remarkable second novel is as vividly imaginative as its subject, the 17th–century English writer and eccentric Margaret Cavendish . . . Though Dutton doesn’t shy away from the ‘various and extravagant; antics (such as attending the theater in a topless gown) that earned her subject notoriety and the nickname ‘Mad Madge,’ her Margaret is a woman of fierce vitality, creativity, and courage. Incorporating lines from Cavendish herself as well as Virginia Woolf, whose essays introduced Dutton to Cavendish, this novel is indeed reminiscent of Woolf’s Orlando in its sensuous appreciation of the world and unconventional approach to fictionalized biography. Dutton’s boldness, striking prose, and skill at developing an idiosyncratic narrative should introduce her to the wider audience she deserves.”—Publishers Weekly, starred review

“Despite its period setting and details, this novel —more poem than biography —feels rooted in the experiences of contemporary women with artistic and intellectual ambitions. Margaret’s alternating bursts of inspiration and despair about her work may feel achingly familiar to Dutton’s likely readers, many of whom will probably also be aspiring writers.”—Kirkus Reviews

“Indebted to Virginia Woolf in both content and form, Dutton examines the life of a woman who upended social norms by being intelligent, imaginative, and ambitious without apology. Cavendish’s intellectual and personal growth are explored with sensitivity in poetic prose style. This short literary book offers big rewards to readers interested in the complex mind of a woman ahead of her time.”—Sarah Cohn, Library Journal