Warlock

Praise

"[A] brilliant novel of the violent West." —San Francisco Chronicle

"San Francisco Chronicle Book Editor Critic Oscar Villalon’s Picks Oakley Hall’s novel Warlock, reissued by the New York Review of Books. ‘Excellent genre stuff. A riveting Western that’s also a work of literature’ " –NPR, Talk of the Nation

"Also in ’59 we simultaneously picked up on what I still think is among the finest of American novels, Warlock, by Oakley Hall. We set about getting others to read it too, and for a while had a micro-cult going. Soon a number of us were talking in Warlock dialogue, a kind of thoughtful, stylized, Victorian Wild West diction.”–Thomas Pynchon

“Not since Walter Van Tilburg Clark’s The Oxbow Incident has there been a novel of the West of as high a dramatic and literary quality as this one.”–Library Journal

“Warlock is a big novel in every sense of the word . . . Hall has earned his place above the literary salt with such as Van Tilburg Clark and Conrad Richter and A.B. Guthrie.” –San Francisco Chronicle

“Compelling . . . A powerful narrative that throbs unmistakably with the hum of a really big talent.” –Chicago Sunday Tribune

“Oakley Hall has a gift for making the historical moment immediate and concrete, pulsing and white-hot.” –MacDonald Harris

“Oakley Hall is among our most absorbing novelists.” –Los Angeles Times

“Oakley Hall is one of the country’s finest writers.” –Robert Stone

“Like Henry James and Mark Twain, Oakley Hall is a master craftsman of the story. [His] dialogue is perfectly pitched, and intrigue will keep you turning the pages.” –Amy Tan

“Oakley Hall is a novelist who never seems to make a wrong move. His impulses for what’s dramatic, for what will touch and move us, for how to engage the issues of the heart with those of the mind, all are uncommonly acute. He is a writer to read and read again.” –Richard Ford

“The mastery shines forth undimmed.” –San Fransisco Chronicle

“A vast mural of a novel, the best of the year . . .” –Los Angeles Times

“Warlock is a story of the birth pangs of law and order, and the final arbitration of the six-shooter . . . filled with richness of background and foreground . . . hard to give a higher tribute to a book on the early West.” –Paul Wellman, New York Herald Tribune

“Monumental!” –Springfield Daily News

“Oakley Hall’s Warlock is a super-Western about a frontier marshal, a tremendous piece of writing, with with subtle characterizations of a giant cast, and dialogue that rings as true as a silver dollar tossed on the bar.” –Milwaukee Journal

“A ‘Western’ which is literature!” –Hartford Courant

“As good or better than the all-time greats, Warlock whips and lashes with shootings, lynch mobs, men incredibly swift on the draw, and men who weren’t swift on the draw, and men who weren’t swift enough, with a drunken judge who is the town’s conscience, and a prostitute who is probably its finest woman, with all the violence and blood-letting that were the fearful growing pains of the settlement of the West.” –Omaha World-Herald

"[An] intelligent, richly detailed mystery." –Booklist


Hall’s brilliant, complex take on the American western, first published in 1958, more than stands the test of time. A newly hired gun-slinging lawman, Clay Blaisedell, tries to restore order to the mythical silver mining town of Warlock, Calif. His reputation for violence serves him well during the first robbery on his watch, but his quick trigger finger, and that of deputy John Gannon, also get him in trouble. A bizarre killing spree (covertly perpetrated by Blaisedell’s best friend, a murky political figure named Tom Morgan) and an impending miners’ strike (one that allows gang leader Abe McQuown to mount a charge against Blaisedell and Gannon) set up the inevitable final, blazing set of confrontations. Hall, who has written more than 20 novels, taps into the mythic essence of the Wild West with a potent combination of dense but fast-moving prose; a colorful cast of violent, corrupt characters; and a diabolical, ethically neutral worldview. His prosaic tracking of the town’s violently shifting nodes of power is prescient and brings Cormac McCarthy to mind as the story unfolds. No account of the fictions of the American West can be complete without reconsidering this revelatory novel." —Publishers Weekly