Until the Lions

Praise

“The thirty haunting, heartrending chapters, in a wide range of forms and styles, resonate powerfully with one another…Women whose names are known from the Sanskrit epic but whose character and inner experience are muted there suddenly come to life as full-blooded people caught up in the destruction endemic to a male world.”
–David Shulman, New York Review of Books

“Naïr, in nearly three hundred pages of connected poems, reimagines the story of the Mahabharata as the lions’ story, giving a voice to nineteen of its characters and allowing them each to tell their own account … Employing poetic structures including the canzone and the obscure French form rimas dissolutas, among many others, Naïr deftly shifts from one voice to the next.”
–Bibi Deitz, Bomb

“I am astounded by the personalized shifts with which Karthika stamps her voice on the Mahabharata, so tender, fierce and visionary. It’s a liberating experience to be dissolved into what Amjad Nasser called “the ten metaphors of poetry,” so to speak, between grief and love, ecstasy and despair, meaning and nonsense.”
–Fady Joudah, Shelf Awareness

“John Dryden famously spoke of translation taking three forms: metaphrase, paraphrase, and imitation. Though written in English, Karthika Naïr’s Until the Lions certainly fits this last category. Her feminist take on the Mahabharata, India’s great epic, is an astonishing demonstration of the power of translation to reshape and renew the literature of the past.” 
–Edwin Frank, in Words Without Borders

“The Mahabharata, the larger of India’s two epics, was composed roughly 2,000 years ago…In reading Naïr’s book, I felt as if I had scratched the surface of a palimpsest (the epic) and discovered a room teeming with three-dimensional living souls…Until the Lions adds a brilliant new thread to this rich literary tapestry.”
–Harvard Review

“Has been rightly hailed as a magnum opus by the critics.”
–Wasafiri

“The Mahabharata will always take you back to the deepest existential questions. It continues to instigate superlative writing as well. Karthika Naïr’s Until the Lions is an unshakable masterpiece of modern poetry, one of the great retellings of the text.”
–Indian Express

“Naïr’s intervention – a series of dramatic monologues that give the epic’s women psychological depth, wrath and despair – is brilliantly executed.
–Times Literary Supplement

“Until the Lions is a triumph of narrative and poetic risk-taking. Five years in the making, Nair’s collection of poems, written in the voices of women in the Mahabharata, has been rightly hailed as a magnum opus by critics.”
–Aditya Mani Jha, Wasafiri

“Until the Lions, a poem cycle set at the margins of the Mahabharata, uses modern forms but doesn’t shy away from the strangeness and ferocity of its setting . . . Until the Lions is, despite or because of its ancient milieu, one of the most powerful anti-war statements I’ve ever read.”
–Brendan Moody, Late Democracy