The Ratline

Praise

“Extraordinary. . . . A Nazi love story, but a fascinating and important one, told in vivid detail. . . . Suspenseful.” —The New York Times Book Review

“[Otto’s and Horst’s stories] collide and reverberate to staggering effect. . . . Fascinating.” —The Wall Street Journal

“A narrative of spycraft and power shifts . . . breathtaking in its twists. . . . Remarkable. . . . Horst, now in his eighties, is a fascinating character, willing to explore his father’s ugly history in great detail without letting go of the belief that he must have been a ‘good’ Nazi. . . . Carefully, gently, meticulously, [Sands has] engaged every protest, every excuse, every question Horst has raised to show exactly who Otto was and what he did.” —Los Angeles Times

“Damning and meticulously researched. . . . A riveting and insightful historical page-turner that proves to be part History Channel, part W. G. Sebald.” —Harper’s Magazine

“A feat of exhilarating storytelling— gripping, gratifying and morally robust. . . . A taut and finely crafted factual thriller, reminiscent in density and pace of John le Carré. . . . Sands is unflinching. . . . He pursues the details and we are left with the unsettling, discordant portrait of a man who is conceivably a passionate husband and devoted father, but irrefutably a war criminal with blood, including that of Sands’s own family members, on his hands.” —The Guardian

“Part detective story and part love story. . . . Sands’s ability to tease out Horst’s emotional, and often contradictory, views of his father as an indicted war criminal is fascinating. . . . He unlocks here a series of provocative questions about culpability, collective guilt, and the advancement of international law.” —Los Angeles Review of Books

“A gripping adventure, an astounding journey of discovery, and a terrifying and timely portrait of evil in all its complexity, banality, selfjustification, and madness. A stunning achievement.” —Stephen Fry

“Sands’s untangling of the mysteries surrounding Otto von Wächter is masterfully done.” —The Sunday Times (London)

“A formidable piece of historical sleuthing written with all the pace and suspense of a thriller.” —Financial Times

“A compelling piece of forensic historical research—one that is every bit as good as East West Street.” —The Telegraph (London)

“Extraordinary. . . . Fast-paced. . . . With enough twists and turns to keep the reader grimly absorbed, The Ratline is an electrifying true crime.” —Evening Standard (London)

“Fascinating. . . . A portrait of not only the banality, but the domesticity of evil. . . . Compelling.” —The Mail on Sunday (London)

“Superbly researched and brilliantly told. . . . A fascinating account of the war between law and barbarism.” —New Statesman

“Poignant. . . . Shocking. . . . Extraordinarily moving.” —Daily Express (London)

“Breathtaking, gripping, and ultimately, shattering. Philippe Sands has done the unimaginable: look a butcher in the eye and tell his story without flinching.” —Elif Shafak, author of 10 minutes 38 seconds in This Strange World

“A burningly necessary book. Sands makes a gently unsparing dissection of deception, love, delusion, and ineradicable evil. Elegant, painstaking, passionate, and quietly enraging.” —A. L. Kennedy, author of On Bullfighting

“A triumph of research and brilliant storytelling.” —Antony Beevor author of The Battle of Arnhem

“Fascinating and haunting, The Ratline is a disquieting book that raises more questions than Sands could possibly answer. . . . A book that should be read and pondered again and again.” —BookPage

“Fascinating, disturbing.  .  .  . Adding Horst’s archives to extensive interviews allows Sands to deliver a gripping account of Otto’s experience.” —Kirkus Reviews

“[A] solemn, graceful, and powerful account. . . . Rich, compulsively readable. . . . A far-reaching whodunit into a mysterious death, where even the dead ends are engaging; a wartime love story between a highranking SS official and his ambitious wife (and a subtly corrosive portrait of their bewildering and criminal delusions as they enjoy their gilded life); a story of a son who desperately struggles in spite of condemning evidence ‘to find the good things’ in his deeply flawed parents; an infuriating spotlight on cynically pragmatic ties between American spymasters, the Vatican, and Nazi war criminals; and, in a revelation that blindsides the reader, a resourceful probing into buried familial ties.” —Publishers Weekly (starred review)