Another Way to Play

Praise

“Michael Lally’s risky, talky, autobiographic, ethnic, disarming, poignant, desperate, consoling, elegiac, wily, vernacular lyrics have been charming and challenging the poetry world for half a century. ‘What we know is the way we fall’: From South Orange to SoHo to Hollywood & back to Jersey, from youthful exuberance to geriatric trauma, Lally’s salt of the earth work is spiked by caraway, cayenne, thyme, & sage — with a twist.” —Charles Bernstein, author of Recalculating and Pitch of Poetry 

“Michael Lally chisels his poems the way Maya Lin makes a memorial or Leonard Cohen a song. This precision reveals pathways to all we were afraid to say, to the truth. His deep forays into liberation mark him as one of the most essential poets of our era. He worries over difference until he can show that it’s all about love, which never dies. His poems are bookmarks in my life.”  —Mindy Thompson Fullilove, MD, author of Urban Alchemy: Restoring Joy in American’s Sorted-Out Cities  

“Michael Lally tells all of the secrets. Yours, mine, his, everyone’s. Everything you ever hoped that people wouldn’t know about the real you, all of the thoughts that have nested in your head your whole life, he’s got down on paper. He spares no one. When he writes, ‘I REFUSE TO LET WHAT I’VE ALWAYS WANTED KEEP ME FROM HAVING WHAT I’VE ALWAYS WANTED’ Lally guides to honesty. His writing is like a cleanse for the spirit, things coming loose inside you, while telling you, ‘It’s alright…it’s alright.'” —Alec Baldwin, actor

“Michael Lally is our faithful antidote to the politics of forgetting. When his wondrous chapbook My Life appeared on the scene in 1975, it woke a whole city of young poets to its standard of impassioned, activist aspiration. The standard would be justified in the life. Through all the regressive decades that followed, whether in New York, Los Angeles, or communities between, Lally continued to fashion a poetry of engaged and egalitarian civic ecstasy, which makes his work as indispensable now as it is irresistible. He is a great poet, not of his generation only, but of those fervent democratic vistas he restores to view.” —Douglas Crase


“Charisma, the title of one of Michael Lally’s early publications, is the perfect noun for this gregarious, theatrical, indefatigable, funny and sometimes pugnacious master of the American idiom. Such amazing works as “It’s Not Nostalgia – It’s Always There,” “Before You Were Born,” and “The Village Sonnets” provide all the evidence you need to link Lally with Frank O’Hara and Ted Berrigan, ‘two Irish-American / poets like me, haunted by Catholic guilt / and dreams of sainthood and sex – or / sexhood and saint.’” —David Lehman, author of Poems in the Manner of… 

“A life’s work in poetry is an achievement and a manifesto. Another Way to Play is Michael Lally’s manifesto in powerful poems that allude to rebels, revolutionaries and the occasional miscreant whose achievements served as model for Lally’s adventures in peace making, music loving, erotic affairs and marriages, politics, fatherhood, brotherhood, “the hood” as defined by a working class New Jersey Irish American upbringing. Lally’s youthful beat rarely prepares the reader for his erudition, his reflection on this culture and his deep understanding of performance (he’s also an accomplished actor) so it is good to see those sophisticated works made center stage. This is a huge book filled with poems that insist, digress, chastise and provocate. Another Way to Play‘s manifesto is a “life in poetry” and we are better for it.”  —Patricia Spears Jones, author of A Lucent Fire: New and Selected Poems 

“Michael Lally. When I was a young poet I said, ‘He’s our Walt Whitman,’ the way he was huge, containing multitudes. Working class guy, movie star, father, gay and straight, lover not a fighter. But it’s the poems I mean. And this is his Leaves of Grass, a life’s work with life to go of course. Life To Go, not a bad title, thanks, Lally. He inspires like that, immediacy. He’s always telling the poems directly to you, only to you. You can always go back to them. But you can’t. They change. ‘Go ahead,’ try them, the way they hold you. That’s what I mean. It’s all here in the poems, and they are all for you, because Michael Lally has your back and he will never let you down.” —Bob Holman, founder of the Bowery Poetry Club, author of Sing This One Back to Me and The United States of Poetry

“Michael Lally is difficult to categorize as a poet. He does not fit neatly into any of the schools. But, after all is said and done, his work is revealed to be uniquely memorable and exciting. Part of the thrill Lally’s poetry gives is seeming to be a person naturally talking, jiving, communicating. Of course, it’s never that easy, and Lally has never taken the easy way out, continually confronting himself as well as the terrible truths of his times. This collection will confirm what many have long known: that Michael Lally is one of our essential voices. ‘Love is always the ultimate resistance…’ For these times, forever. Thank you, Michael, for showing the courage.” —Vincent Katz, poet and author

“These poems bear witness to the laughter, love, fear, certainties, celebrations and ever-growing artistry of an extraordinary man over the course of decades as he moves through the wonders and disappointments of this world. The poems of Michael Lally are sometimes humorous, sometimes confrontational and provocative, always honest, well-crafted and filled with emotion so raw and pure you can’t help but be moved with him to tears, to rage and defiance, to fear, vulnerability or resignation because sooner than later you’ll start to recognize your own fragile heart hidden somewhere in a stanza. What an amazing, revealing collection!” —Nana-Ama Danquah, author of the acclaimed memoir Willow Weep for Me: A Black Woman’s Journey Through Depression