“Schmidt delves into the Lizzie Borden story, which may or may not have unfolded as we’ve always thought.” ―Entertainment Weekly, one of the 23 Most Anticipated Books of 2017
“[An] unforgettable debut . . . Equally compelling as a whodunit, ‘whydunit,’ and historical novel.” ―Publishers Weekly (starred review)
“Heralds the arrival of a major new talent . . . Nail-biting horror mixes with a quiet, unforgettable power to create a novel readers will stay up all night finishing.” ―Booklist (starred review)
“What better subject for a psychological thriller than one of the most notorious murders in U.S. history . . . A fresh treatment of Lizzie Borden.” ―Library Journal (starred review)
“[A] gory and gripping debut.” ―Guardian
“This novel is like a crazy murdery fever dream, swirling around the day of the murders. Schmidt has written not just a tale of a crime, but a novel of the senses. There is hardly a sentence that goes by without mention of some sensation, whether it’s a smell or a sound or a taste, and it is this complete saturation of the senses that enables the novel to soak into your brain and envelope you in creepy uncomfortableness. It’s a fabulous, unsettling book.” ―Book Riot
“Eerie and compelling, Sarah Schmidt breathes such life into the terrible, twisted tale of Lizzie Borden and her family, she makes it impossible to look away.” ―Paula Hawkins, author of The Girl on the Train
“Sarah Schmidt’s beautifully wrought See What I Have Done is a compelling, psychologically rich take on a well-loved tale, bringing new insight into the myth of just who Lizzie Borden was. This glorious gothic novel brings to mind the work of Sarah Waters and Patrick McGrath.” ―Sabina Murray, author of Valiant Gentlemen
“Haunting, evocative and psychologically taut, See What I Have Done breathes fresh life into the infamous 19th-century murder case surrounding Lizzie Borden. This is a powerful, beautifully researched debut novel that brings us into contact with the recurring American dramas of violence and retribution while summoning the beguiling voices of the past.” ―Dominic Smith, author of the New York Times bestseller The Last Painting of Sara de Vos
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