Blood Dark
By Louis Guilloux
Introduction by Alice Kaplan
Translated by Laura Marris
By Louis Guilloux
Introduction by Alice Kaplan
Translated by Laura Marris
By Louis Guilloux
Introduction by Alice Kaplan
Translated by Laura Marris
By Louis Guilloux
Introduction by Alice Kaplan
Translated by Laura Marris
Category: Military Fiction
Category: Military Fiction
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$22.95
Oct 17, 2017 | ISBN 9781681371450
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Oct 17, 2017 | ISBN 9781681371467
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Praise
“Laura Marris’s disarmingly colloquial translation—the first in English since 1936, when the book was titled Bitter Victory—makes accessible a novel that chronicles, as though in real time, the transformations the catastrophe of World War I wrought on European civilization. It’s a masterwork that in France is spoken of in the same breath as Céline’s Journey to the End of the Night and Sartre’s Nausea….there is a revelatory sense reading Guilloux’s novel that one has found a key text linking the sparkling contempt of Flaubert to the tender resignation of Camus.” —Sam Sacks, The Wall Street Journal
“Guilloux’s work deserves to be better known in the anglophone world; it’s good news that this major novel has resurfaced in Laura Marris’s attentive and accomplished translation.” —Adrian Tahourdin, Times Literary Supplement
“Considered a masterpiece by Gide, Malraux, Camus, and Pasternak, Guilloux’s 1935 Blood Dark remains the least known in English of France’s twentieth-century blockbuster novels. Guilloux breaks with the tidiness of traditional French fiction to provide a hallucinatory—and tragicomic—vision of a single day in the life (and death) of a small port town in Brittany during the mutinous and revolutionary year of 1917. At the heart of this apocalyptic satire lies the outsize figure of Cripure, a nihilistic highschool teacher of philosophy, a monstrous Ahab of the intellect suicidally in quest of his Nietzschean white whale. Guilloux’s Le Sang noir here emerges afresh—and urgent—in this new translation by Laura Marris.” —Richard Sieburth
“We come upon Blood Dark with something of a shock. For here is a novel projected in the grand style of the nineteenth century, a mountain of a novel, sprawling . . . out of which there emerges a great tragic figure.” —Harold Strauss, The New York Times
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