In Englander’s amazingly taut and ambitious "The Twenty-seventh Man," a clerical error lands earnest, unpublished Pinchas Pelovits in prison with twenty-six writers slated for execution at Stalin’s command,
and in the grip of torture Pinchas composes a mini-masterpiece, which he recites in one glorious moment before author and audience are simultaneously annihilated. In "The Gilgul of Park Avenue," a Protestant has a religious awakening in the back of a New York taxi. In the collection’s hilarious title story, a Hasidic man incensed by his wife’s interminable menstrual cycle gets a dispensation from his rabbi to see a prostitute.
The stories in For the Relief of Unbearable Urges are powerfully inventive and often haunting, steeped in the weight of Jewish history and in the customs of Orthodox life. But it is in the largeness of their spirit– a spirit that finds in doubt a doorway to faith, that sees in despair a chance for the heart to deepen–and in the wisdom that so prodigiously transcends the author’s twenty-eight years, that these stories are truly remarkable. Nathan Englander envisions a group of Polish Jews herded toward a train bound for Auschwitz and in a deft imaginative twist turns them into acrobats tumbling out of harm’s way; he takes an elderly wigmaker and makes her, for a single moment, beautiful. Again and again, Englander does what feels impossible: he finds, wherever he looks, a province beyond death’s dominion.
For the Relief of Unbearable Urges is a work of stunning authority and imagination–a book that is
as wondrous and joyful as it is wrenchingly sad, and that heralds the arrival of a profoundly gifted new
storyteller.
Author
Nathan Englander
Nathan Englander is the author of the story collections For the Relief of Unbearable Urges, an international best seller, and What We Talk About When We Talk About Anne Frank, and the novels The Ministry of Special Cases and Dinner at the Center of the Earth. His books have been translated into twenty-two languages. He is the recipient of a Guggenheim Fellowship, a PEN/Malamud Award, the Frank O’Connor International Short Story Award, and the Sue Kaufman Prize from the American Academy of Arts and Letters, and was a finalist for the Pulitzer Prize in 2013. His play, The Twenty-Seventh Man, premiered at the Public Theater in 2012. He is Distinguished Writer in Residence at New York University and lives in Brooklyn, New York, with his wife and daughter.
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