Spook Street

Praise

Praise for Spook Street

Winner of the CWA Ian Fleming Steel Dagger for Best Thriller
Winner of the 2018 CrimeFest Last Laugh Award
Shortlisted for the CWA Gold Dagger for Best Crime Novel 
An Irish Times Best Book of the Year
The Guardian Best Books of the Year
A Seattle Times Notable Book of the Year
​A Boston Globe Best Book of the Year
Nominated for the Barry Award
Shortlisted for the British Book Award
Longlisted for the Theakston’s Old Peculier Crime Novel of the Year Award

“Terrific spy novel . . . Sublime dialogue, frictionless plotting.”
—Ian Rankin

“Irony and black humor abound.”
—Newsday

“Spook Street is thoroughly gripping espionage, focused on intelligent plotting over action for its own sake—think le Carré, but with a heartier dash of dry humor.”
—The Seattle Times

“Stylistically, you can draw comparisons with the work of Raymond Chandler, though Herron keeps a tighter grasp on his narrative than Chandler ever did . . . Herron is a master of timing, word by word, sentence by sentence. His language creates its own world, with streaks of satire and loss that prevent it from becoming too comfortable.”
—The Spectator

“[Herron] is superb at evoking the le Carré-esque air of ennui, cynicism and self-loathing which permeates an intelligence service on its uppers, but which remains—the alternative being too awful to contemplate—duty bound to keep calm and carry on . . . Herron also leavens the mood with flashes of mordant humour, while the hilariously repellent Jackson Lamb—the anti-Smiley—is a constant source of politically incorrect one-liners.”
—The Irish Times

“It’s not often a reviewer can say, ‘You’ve never read anything quite like this’ but it’s a safe encomium to use in the case of Mick Herron. The author’s idiosyncratic writing is unique in his genre: the spycraft of le Carré refracted through the blackly comic vision of Joseph Heller’s Catch-22.”
—Financial Times

“Sheer fun. Herron is spy fiction’s great humorist, mixing absurd situations with sparklingly funny dialogue and elegant, witty prose.”
—The Times (UK)

“The lavishly loathsome Jackson Lamb oversees the action with all the finesse of a shark in a swimming pool.”
—Metro News (UK)

“Brilliant.”
—The Boston Globe

“Terrific . . . A heady mixture of deadpan humor, deft characterizations, and acute insight.”
—Publishers Weekly, Starred Review

“All espionage aficionados are—or soon will be—reading Herron. But it’s high time, too, that readers of literary fiction embrace him in the way they have John le Carré.”
—Booklist, Starred Review

“Terrific . . . it’s a real pleasure to watch the super-smart if damaged Slough House agents rising to the occasion.”
—The Seattle Review of Books

“Snappy dialog, crafty twists . . . I’ve enjoyed each of the books in this series and always find them hard to put down.”
—A Fresh Fiction “Fresh Pick”

“Droll, fast-paced, and with a cast of crazy characters, you wouldn’t want to work at Slough House but you certainly want to read about it.”
—Bookgasm

“[Herron] does it all with a darkly deadpan humor that is as scathingly funny as it is irreverent. There’s no let up, no let down, it’s one hell of a tale told masterfully.”
—Open Letters Monthly

“Laced with black humor, this intense fourth in the series won the 2017 Steel Dagger Award.”
—Reviewing the Evidence

Praise for the Slough House novels
 
“[Herron’s] cleverly plotted page-turners are driven by dialogue that bristles with one-liners. Much of the humor comes from Herron’s sharp eye for the way bureaucracies, whether corporate or clandestine, function and malfunction. The world of Slough House is closer to The Office than to 007.”
—The Associated Press

“The sharpest spy fiction since John le Carré.”
—NPR’s Fresh Air

“Compulsively readable, tightly plotted.”
—Los Angeles Times

“[Herron is the] le Carré of the future . . . The characters are brilliant.”
—Patrick Neale on BBC’s The Oxford Book Club

“Heroic struggles, less-heroic failures and a shoot-out-cum-heist . . . with no let-up in the page turning throughout.”
—Esquire

“Herron’s strength is in examining at close hand the absurdities, conflicts, and dangers of the intelligence agency as an institution at the center of some of the most central conflicts in the 21st century.”
—Los Angeles Review of Books
 
“[Reads] like an episode of Spooks written by Ricky Gervais . . . With his poet’s eye for detail, his comic timing and relish for violence, Herron fills a gap that has been yawning ever since Len Deighton retired.”
—The Daily Telegraph, ★ ★ ★ ★ ★
 
“A superb thriller . . . Herron may be the most literate, and slyest, thriller writer in English today.”
—Publishers Weekly, Starred Review