‘Here [is] a new order of short story,’ said H. L. Mencken when Winesburg, Ohio was published in 1919. ‘It is so vivid, so full of insight, so shiningly life-like and glowing, that the book is lifted into a category all its own.’ Indeed, Sherwood Anderson’s timeless cycle of loosely connected tales–in which a young reporter named George Willard probes the hopes, dreams, and fears of the solitary people in a small Midwestern town at the turn of the century–embraced a new frankness and realism that ushered American literature into the modern age. ‘There are moments in American life to which Anderson gave not only the first but the final expression,’ wrote Malcolm Cowley. ‘Winesburg, Ohio is far from the pessimistic or morbidly sexual work it was once attacked for being. Instead it is a work of love, an attempt to break down the walls of loneliness, and, in its own fashion, a celebration of small-town life in the lost days of good will and innocence.’
Author
Sherwood Anderson
Sherwood Anderson (1876-1941) spent most of his boyhood in Clyde, Ohio, the model for Winesburg, Ohio. And like the central figure of that work, Anderson left small-town life behind after his mother’s death, when he was nineteen. After serving in the Spanish-American War, the mostly self-taught Anderson became successful advertising copywriter in Chicago. Then in 1912, torn between his responsibilities and his drive to create, he had a breakdown that has become legendary. Having become the owner of a small factory, Anderson abruptly walked from his office and wandered about for four days in a trancelike state before ending up in an Ohio hospital. Realizing he must devote his life to writing, he finally broke with his wife and family and joined Carl Sandburg and Theodore Dreiser, who were at the core of Chicago’s literary group. By 1925, Anderson had demonstrated such talent that H.L. Mencken called him “America’s most distinguished novelist.” A mentor of William Faulkner and Thomas Wolfe, Anderson was known for his colloquial style and his exploration of gender and sexuality in relationships. His works of fiction include Windy McPherson’s Son (1916); Poor White (1920); The Triumph of the Egg (1921), a short-story collection; and Dark Laughter (1925). Also important are his autobiographical works: A Story Teller’s Story (1924), Tar: A Midwest Childhood (1926), and Sherwood Anderson’s Memoirs (1942). He died of peritonitis on a trip abroad when a broken toothpick perforated his intestines.
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