Published on Mar 03, 2015 | 256 Pages
A highly provocative, mindbending, beautifully designed, and visionary look at the landscape of our rapidly evolving digital era.
50 years after Marshall McLuhan’s ground breaking book on the influence of technology on culture in The Medium is the Massage, Basar, Coupland and Obrist extend the analysis to today, touring the world that’s redefined by the Internet, decoding and explaining what they call the ‘extreme present’.
THE AGE OF EARTHQUAKES is a quick-fire paperback, harnessing the images, language and perceptions of our unfurling digital lives. The authors offer five characteristics of the Extreme Present (see below); invent a glossary of new words to describe how we are truly feeling today; and ‘mindsource’ images and illustrations from over 30 contemporary artists. Wayne Daly’s striking graphic design imports the surreal, juxtaposed, mashed mannerisms of screen to page. It’s like a culturally prescient, all-knowing email to the reader: possibly the best email they will ever read.
Welcome to THE AGE OF EARTHQUAKES, a paper portrait of Now, where the Internet hasn’t just changed the structure of our brains these past few years, it’s also changing the structure of the planet. This is a new history of the world that fits perfectly in your back pocket.
30+ artists contributions: With contributions from Farah Al Qasimi, Ed Atkins, Alessandro Bavo, Gabriele Basilico, Josh Bitelli, James Bridle, Cao Fei, Alex Mackin Dolan, Thomas Dozol, Constant Dullaart, Cecile B Evans, Rami Farook, Hans-Peter Feldmann, GCC, K-Hole, Liam Gillick, Dominique Gonzalez-Foerster, Eloise Hawser, Camille Henrot, Hu Fang, K-Hole, Koo Jeong-A, Katja Novitskova, Lara Ogel, Trevor Paglen, Yuri Patterson, Jon Rafman, Bunny Rogers, Bogosi Sekhukhuni, Taryn Simon, Hito Steyerl, Michael Stipe, Rosemarie Trockel, Amalia Ulman, David Weir, Trevor Yeung.
Author
Douglas Coupland
DOUGLAS COUPLAND is a Canadian writer, visual artist and designer. His first novel is the 1991 international bestseller Generation X: Tales for an Accelerated Culture, still celebrated for its biting humour and cultural relevancy thirty years since initial publication. He has published fourteen novels, two collections of short stories, eight nonfiction books. He has written and performed for England’s Royal Shakespeare Company, is a columnist for The Financial Times of London and a frequent contributor to The New York Times. In 2000 Coupland amplified his visual art production and has recently had two separate museum retrospectives, Everything is Anything is Anywhere is Everywhere at the Vancouver Art Gallery, The Royal Ontario Museum and the Museum of Contemporary Canadian Art, and Bit Rot at Rotterdam’s Witte de With Center for Contemporary Art, and Munich’s Villa Stücke. In 2015 and 2016 Coupland was artist in residence in the Paris Google Cultural Institute. In May 2018, his exhibition on ecology, Vortex, opened at the Vancouver Aquarium. Coupland is a member of the Royal Canadian Academy, an Officer of the Order of Canada, an Officer of the Order of British Columbia, a Chevalier de l’Ordre des Arts et des Lettres and a recipient of the Lieutenant Governor’s Award for Literary Excellence.
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Hans Ulrich Obrist
Hans Ulrich Obrist is Artistic Director of the Serpentine Galleries in London. Prior to this, he was a curator at the Musée d’Art Moderne de la Ville de Paris. Since his first show World Soup (The Kitchen Show) in 1991, he has curated more than 300 shows. His recent publications include Ways of Curating, The Age of Earthquakes, Lives of the Artists, Lives of Architects, Mondialité, Somewhere Totally Else, and The Athens Dialogues.
Learn More about Hans Ulrich Obrist
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