In this swashbuckling epic, d’Artagnan, not yet twenty, sets off for Paris in hopes of joining the Musketeers, that legion of heroes highly favored by King Louis XIII and feared by evil Cardinal Richelieu. By fighting alongside Athos, Porthos, and Aramis as they battle their enemies, d’Artagnan proves he has the heart of a Musketeer and earns himself a place in their ranks. Soon d’Artagnan and the gallant trio must use all their wits and sword skills to preserve the queen’s honor and thwart the wicked schemes of Cardinal Richelieu. With this classic tale, Dumas embroiders upon history a colorful world of swordplay, intrigue, and romance, earning The Three Musketeers its reputation as one of the most thrilling adventure novels ever written.
An Unabridged Translation, Revised and Updated by Eleanor Hochman
With an Introduction by Thomas Flanagan
and an Afterword by Marcelle Clements
Author
Alexandre Dumas
Alexandre Dumas (1802–1870) lived a life as romantic as that depicted in his famous novels. He was born in Villers-Cotterêts, France. His early education was scanty, but his beautiful handwriting secured him a position in Paris in 1822 with the du’Orléans, where he read voraciously and began to write. His first play, Henri III et sa cour (1829), scored a resounding success for its author and the romantic movement. His lavish spending and flamboyant habits led to the construction of his fabulous Château de Monte-Cristo, and in 1851 he fled to Belgium to escape creditors. Dumas’s overall literary output reached more than 277 volumes, but his brilliant historical novels made him the most universally read of all French novelists. With collaborators, mainly Auguste Maquet, Dumas wrote such works as The Three Musketeers (1843–1844); its sequels, Twenty Years After (1845) and the great mystery The Man in the Iron Mask (1845–1850); and The Count of Monte Cristo (1844). His work ignored historical accuracy, psychology, and analysis, but its thrilling adventure and exuberant inventiveness continued to delight readers, and Dumas remains one of the prodigies of nineteenth-century French literature.
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