Edited and featuring an introduction and notes from Judith Jackson Fossett.
A riveting portrait of the shifting and intractable nature of race in American life, The House Behind the Cedars follows John and Rena Walden, mixed-race siblings who pass for white in the postbellum American South. The siblings travel carefully between Black and white worlds, but their precarious routine is threatened when Rena falls in love with a white man and hides her true heritage to start a life with him.
This edition revitalizes a much-neglected masterpiece by one of our most important African American writers. As Werner Sollors writes, “William Dean Howells did not overstate his case when he compared Chesnutt’s works with those by Turgenev, Maupassant, and James.”
Author
Charles W. Chesnutt
Charles W. Chestnutt (1858–1932) was born in Cleveland, Ohio, where his family had moved from Fayettefille, North Carolina, to seek better economic opportunities. Shortly after the Civil War, they returned to Fayetteville, where Chesnutt spent most of his childhood and young adulthood. He taught in local public schools, eventually returning to Cleveland and being admitted to the bar. He established a legal stenography business yet found himself strongly attracted to writing fiction. He published two collections of short stories, The Conjure Woman and The Wife of His Youth and Other Stories of the Color Line (1890) and three widely reviewed novels, The House Behind the Cedars (1900), The Marrow of Tradition (1901), and The Colonel’s Dream (1905), while devoting essays and speeches to agitation for civil rights for African Americans, especially in the South. Unable to support his family as a full-time writer, he resumed his business career but maintained until his death a respected role in African American letters.
Learn More about Charles W. Chesnutt