Revolutionary in both its storyline and its storytelling, The Colonel’s Dream was one of the most progressive books of its time when it was first published in 1905. Few authors of African descent created white protagonists, but Charles Chesnutt did just that, exploring the economic and social conditions of freed slaves through the eyes of Colonel French, a former Confederate officer. Returning to his impoverished hometown after years as a successful businessman in the North, French attempts to revitalize the community and improve living conditions for a vibrant cast of characters living there, including his old servant and an ambitious young woman. Despite his hopes, French faces roadblocks at every turn, including a corrupt convict-leasing system that essentially re-enslaves many of the town’s black residents. With a new, no-holds barred Introduction by the incomparable Ishmael Reed, The Colonel’s Dream offers a prophetic perspective on modern issues of multiculturalism and economic disparity, making it a keystone in American literature and history.
Author
Charles W. Chesnutt
Charles W. Chestnutt (1858–1932) was born in Cleveland, Ohio, where his family had moved from Fayettefille, North Carolina, to seek better economic opportunities. Shortly after the Civil War, they returned to Fayetteville, where Chesnutt spent most of his childhood and young adulthood. He taught in local public schools, eventually returning to Cleveland and being admitted to the bar. He established a legal stenography business yet found himself strongly attracted to writing fiction. He published two collections of short stories, The Conjure Woman and The Wife of His Youth and Other Stories of the Color Line (1890) and three widely reviewed novels, The House Behind the Cedars (1900), The Marrow of Tradition (1901), and The Colonel’s Dream (1905), while devoting essays and speeches to agitation for civil rights for African Americans, especially in the South. Unable to support his family as a full-time writer, he resumed his business career but maintained until his death a respected role in African American letters.
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