“[Chamberlin] dances between ideas, sources of ideas, anecdotes, giving the reader flashes of insight and glimpses of the world that are both new and profound. . . . [He] has made this tapestry so rich that it will be explored again and again.” —Hugh Brody, author of The Other Side of Eden: Hunters, Farmers, and the Shaping of the World
“Chamberlin’s book, thought-provoking and humane, is a welcome addition to this quest for cross-cultural understanding.” —Eva Tihanyi, National Post
“Chamberlin . . . bring[s] together personal reminiscences—with references from sources as diverse as Chinese philosopher Chuang Tzu and Canadian country singer Ian Tyson—to form a liquid, virtually seamless argument that shifts between anecdote and high theory, often on the same page.” —The Calgary Herald
“Chamberlin . . . is a storyteller at heart. His analysis is interrupted by wonderful personal anecdotes, and his prose is eloquent and lucid. Writing with the same grandfatherly mix of authority and gentleness as Joseph Campbell, Chamberlin will appeal to scholars and amateurs alike.” —Quill & Quire
“There is no easy way to describe this remarkable book. Every page is a cascade of rich and original ideas, dazzling in their breadth and profound in their relevance. Baudelaire once identified horror of home as a great malady of the modern age. In a literary journey that takes us from the of the fires of the Gitksan to the forests of Africa, from the songs of cowboys to the poetry of shamans, from science to the realm of myth, Ted Chamberlin provides the cure.” —Wade Davis
“J. Edward Chamberlin writes with astonishing originality about the fluidity of human cultures—about our pressing need to acknowledge the paradoxes and contradictory truths that are apparent everywhere just under the surface of events. His book reads like the distillation of a lifetime of thinking and personal experience. It is a gift to the reader.” —Erna Paris, author of Long Shadows: Truth, Lies and History
“Ted Chamberlin’s book is delightful. It tackles profound quations of cultural conflict, by reminding us of our own songs and stories, revealing the extend to which vocabulary and language enable us to know not only where we are but who we are. They give meaning to our lives; in them we are blessed by imagination, whether we realize it or not. And by an understanding of the songs and stroies of the peoples who lie beyond our borders, or even within them, we can truly know who we are, where we came from, and what we—and they—may become.” —Thomas R. Berger, author of One Man’s Justice and A Long and Terrible Shadow
“Ted Chamberlin’s wise and wonderful ruminations on the importance of stories remind me of a gentle spring rain, penetrating and nourishing, awakening and encouraging. His book makes our world a brighter and happier place.” —Modris Eksteins, author of Rites of Spring: The Great War and the Birth of The Modern Age
“In our concern for the new global community, we often overlook those peoples and traditions that were and are essentially local. . . . Ted Chamberlin’ s new book places us in the middle of the stories of [indigenous] peoples from Canada to Africa to Australia about themselves and the world. Chamberlin has become our literary bard through which these people are able to speak in their own voices. An extraordinary achievement, one made once in a generation. It is not only a book that all must read but, more importantly, one that we all must listen to.” —Sander L. Gilman, author of Jewish Frontiers: Essays on Bodies, Histories, and Identities
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