All Things Cease to Appear

Praise

“Frequently shocking and immensely moving…. It was for such extraordinary books that the term ‘literary thriller’ was coined.” —The Wall Street Journal
 
“Ghosts, murder, a terrifying psychotic who seems normal, and beautiful writing.  Loved it.” —Stephen King
 
“This literary thriller’s complex narrative involves a cursed house, an unsolved murder and impeccable writing.” —The New York Times Book Review, Editor’s Choice
 
“A beautifully written treat … as much a disturbing portrait of family and town life as it is a provocative mystery.” —Elle
 
“Superb…. Think a more literary, and feminist, Gone Girl.  As the seemingly perfect marriage at its core reminds us, the most lethal deceptions are the stories we tell ourselves.” —Vogue

“As terrifyingly unsettling—and as beautiful—as cracking ice over a raging river. Part murder mystery, part ghost story, All Things Cease to Appear is also a profound look at how past guilt informs the present, how what we yearn for is not always what we get, and how it’s not only houses that can be haunted, but people as well. One of the most ambitious, original and gorgeously written novels that I’ve ever read—and been unable to forget.” —Caroline Leavitt, author of Cruel, Beautiful World
 
“A classic murder mystery [combined] with a gripping psychological thriller, exploring the complexities of grief, relationships—romantic, familial and friendly—and small-town life.” —BookPage
 
“With a storyline that tightens like a constrictor, this is a book that you won’t want to read alone at night.” —Kirkus Reviews (starred review)
 
 
“[A] dark, chilling drama.” —Entertainment Weekly
 
“All Things Cease to Appear is a riveting ghost story, psychological thriller, and literary page turner. . . . At its heart, this is a story about women’s grit and courage, will and intelligence. It’s a powerful and beautiful novel.” —Kate Christensen, author of The Astral  
 
“Exquisitely gut-churning…. Brundage’s language is the real draw, with her vivid portraits of spouses on opposite sides of a brutal abyss.” —Time
 
“At once high art and a spellbinding thriller, this is a book of many wonders, including a character as creepily sinister as any created by Patricia Highsmith.” —Beverly Lowry, author of Harriet Tubman: Imagining a Life

“Insightful, evocative.” —People, “Book of the Week”
 
“Transcendent . . . Tragedy leaves an indelible mark on both people and places in Brundage’s piercing new novel. Party mystery, part ghost story, and entirely brilliant.” —Library Journal

“Spellbinding.” —The Anniston Star
 
“Slightly Gothic, socially perceptive, and briskly written.” —New York magazine
 
“[A] dark, chilling drama.” —Entertainment Weekly
 
“Brundage’s searing, intricate novel epitomizes the best of the literary thriller. . . . Succeeding as murder mystery, ghost tale, family drama, and love story, her novel is both tragic and transcendent.” —Publishers Weekly

“A dynamic portrait of a young woman coming into her own [and] of a marriage in free fall.” —Booklist (starred review)

“I bloody loved this. . . . Beneath the daisies and farmhouses, the drinks parties and local dramas, something grand, tense and terrifying is shifting, between men and women, between townies and newcomers, between adults and children.” —Louisa Young, author of My Dear, I Wanted to Tell You