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Published on Feb 05, 2002 | 368 Pages
Once the Orme family’s magnificent ancestral estate, Observatory Mansions is now a crumbling apartment complex, home to an eccentric group of misfits. One of them is Francis Orme, who earns his livelihood as a living statue. When not practicing “inner and outer stillness,” Francis steals the cherished possessions of others to add to his private museum. The other tenants are equally as odd: his mother and father, who haven’t interacted in years; a man who continually sweats and cries; a recluse who prefers television to reality; and a woman who behaves like a dog. When Anna Tapp arrives among them she stirs their souls, bringing long forgotten memories to the surface–and arousing fears that this new resident intends to provoke a metamorphosis.
Reminiscent of Beckett, Ionesco, and Millhauser but startlingly original, Observatory Mansions is also unexpectedly beguiling. Upon its publication in England, it was a literary sensation, and John Fowles called it “easily the most brilliant fiction I’ve seen this year.”
Reminiscent of Beckett, Ionesco, and Millhauser but startlingly original, Observatory Mansions is also unexpectedly beguiling. Upon its publication in England, it was a literary sensation, and John Fowles called it “easily the most brilliant fiction I’ve seen this year.”
Author
Edward Carey
Edward Carey is a novelist, visual artist, and playwright. His previous novels include The Swallowed Man, Little, Alva & Irva, and Observatory Mansions, and an acclaimed series for young adults, the Iremonger Trilogy. His writing for the stage includes an adaptation of Robert Coover’s Pinocchio in Venice, a continuation of the Pinocchio story. Born in England, he now teaches at the University of Texas in Austin, where he lives with his wife, the author Elizabeth McCracken, and their family.
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