Best Seller
Paperback
$24.00
Published on Jan 17, 2012 | 544 Pages
“A remarkable creation, a baroque opera of grief, laced with lines of haunting beauty and profundity.” —The Washington Post
Now in paperback, the bold, genre-defying book that asked: What if Mary Shelley had not invented Frankenstein’s monster at all but had met him when she was a girl of eight, sitting by her mother’s grave, and he came to her unbidden?
In a riveting mix of fact and poetic license, Laurie Sheck gives us the “monster” in his own words: recalling how he was “made” and how Victor Frankenstein abandoned him; pondering the tragic tale of the Shelleys and the intertwining of his life with Mary’s (whose fictionalized letters salt the narrative, along with those of her nineteenth-century intimates); taking notes on all aspects of human striving–from Gertrude Stein to robotics to the Northern explorers whose lonely quest mirrors his own–as he tries to understand the strange race that made yet shuns him, and to find his own freedom of mind.
Now in paperback, the bold, genre-defying book that asked: What if Mary Shelley had not invented Frankenstein’s monster at all but had met him when she was a girl of eight, sitting by her mother’s grave, and he came to her unbidden?
In a riveting mix of fact and poetic license, Laurie Sheck gives us the “monster” in his own words: recalling how he was “made” and how Victor Frankenstein abandoned him; pondering the tragic tale of the Shelleys and the intertwining of his life with Mary’s (whose fictionalized letters salt the narrative, along with those of her nineteenth-century intimates); taking notes on all aspects of human striving–from Gertrude Stein to robotics to the Northern explorers whose lonely quest mirrors his own–as he tries to understand the strange race that made yet shuns him, and to find his own freedom of mind.
Author
Laurie Sheck
Laurie Sheck is the author of four previous books of poetry, including Black Series and The Willow Grove, which was a finalist for the Pulitzer Prize. Her work appears widely in such journals as The New Yorker, The Kenyon Review, Verse, and Boston Review. The recipient of fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Ingram Merrill Foundation, Sheck has also been a fellow at the Radcliffe Institute for Advanced Study and is a 2006–7 Fellow at the Cullman Center for Scholars and Writers at the New York Public Library. She teaches in the MFA Program at the New School and lives in New York City.
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