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Fierce Pajamas

An Anthology of Humor Writing from The New Yorker

An Anthology of Humor Writing from The New Yorker

Selected Humor Writing from The New Yorker

Edited by David Remnick and Henry Finder

Edited by David Remnick and Henry Finder

Edited by David Remnick and Henry Finder

Edited by David Remnick and Henry Finder

By David Remnick and Henry Finder
Read by Patrick Frederic and Chris Gannon

By David Remnick and Henry Finder
Read by Patrick Frederic and Chris Gannon

Best Seller
Paperback $24.00

Oct 15, 2002 | ISBN 9780375761270

Ebook $6.99

Dec 11, 2001 | ISBN 9781588360670

Audiobook Download $14.95

Nov 13, 2001 | 362 Minutes

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    About Fierce Pajamas

    When Harold Ross founded The New Yorker in 1925, he called it a “comic weekly.” And although it has become much more than that, it has remained true in its irreverent heart to the founder’s description, publishing the most illustrious literary humorists in the modern era—among them Robert Benchley, Dorothy Parker, Groucho Marx, James Thurber, S. J. Perelman, Mike Nichols, Woody Allen, Calvin Trillin, Garrison Keillor, Ian Frazier, Roy Blount, Jr., Steve Martin, and Christopher Buckley. Fierce Pajamas is a treasury of laughter from the magazine W. H. Auden called the “best comic magazine in existence.”

    About Fierce Pajamas

    When Harold Ross founded The New Yorker in 1925, he described it as a “comic weekly.” And although it has become much more than that, it has remained true in its irreverent heart to the founder’s description, publishing the most illustrious literary humorists of the modern era—among them Robert Benchley, Dorothy Parker, Groucho Marx, George S. Kaufman, James Thurber, S. J. Perelman, Peter De Vries, Mike Nichols, Marshall Brickman, Woody Allen, Donald Barthelme, Calvin Trillin, George W. S. Trow, Veronica Geng, Garrison Keillor, Ian Frazier, Roy Blount, Jr., Bruce McCall, Steve Martin, Christopher Buckley, and Paul Rudnick.

    This anthology gathers together, for the first time, the funniest work of more than seventy New Yorker contributors. Parodists take on not only writers like Hemingway and Kerouac, but TV documentaries, Italian cinema, and etiquette books. (Enough have been published, Robert Benchley maintains, “that there should be no danger of toppling over forward into the wrong soup, or getting into arguments as to which elbow belongs on which arm.”) Other pieces offer perspectives on the heights of fame, the depths of social embarrassment, and the ups and downs of love and sex. Such well-loved sketches as Thurber’s “The Secret Life of Walter Mitty” take their place alongside light-hearted essays on food, tennis, and taxis, and flights of fancy that follow an apparently simple premise to the point of no return, and sometimes well beyond. Here you will find large insights (Woody Allen: “Why does man kill? He kills for food. And not only food: frequently there must be a beverage”) and hard-earned wisdom (Ian Frazier on dating your mom: “Here is a grown, experienced, loving woman—one you do not have to go to a party or a singles bar to meet, one you do not have to go to great lengths to know”). And, not least, a great deal of helpful advice, including Steve Martin’s on memory and middle age: “Bored? Here’s a way the over-fifty set can easily kill a good half hour: 1. Place your car keys in your right hand. 2. With your left hand, call a friend and confirm a lunch or dinner date. 3. Hang up the phone. 4. Now look for your car keys.”

    A rich selection of humorous verse includes caustic gems by Dorothy Parker, the effortless whimsy of Phyllis McGinley, and Ogden Nash’s unforgettable slapstick prosody, as well as forays by luminaries who ought to have known better, like Robert Graves, Elizabeth Bishop, and W. H. Auden.

    A wonderful gift for others, or a delightful treat for oneself, Fierce Pajamas is a treasury of laughter from a publication described by Auden as “the best comic magazine in existence.”

    About Fierce Pajamas

    When Harold Ross founded The New Yorker in 1925, he described it as a “comic weekly.” And although it has become much more than that, it has remained true in its irreverent heart to the founder’s description, publishing the most illustrious literary humorists of the modern era—among them Robert Benchley, Dorothy Parker, Groucho Marx, George S. Kaufman, James Thurber, S. J. Perelman, Peter De Vries, Mike Nichols, Marshall Brickman, Woody Allen, Donald Barthelme, Calvin Trillin, George W. S. Trow, Veronica Geng, Garrison Keillor, Ian Frazier, Roy Blount, Jr., Bruce McCall, Steve Martin, Christopher Buckley, and Paul Rudnick.

    This anthology gathers together, for the first time, the funniest work of more than seventy New Yorker contributors. Parodists take on not only writers like Hemingway and Kerouac, but TV documentaries, Italian cinema, and etiquette books. (Enough have been published, Robert Benchley maintains, “that there should be no danger of toppling over forward into the wrong soup, or getting into arguments as to which elbow belongs on which arm.”) Other pieces offer perspectives on the heights of fame, the depths of social embarrassment, and the ups and downs of love and sex. Such well-loved sketches as Thurber’s “The Secret Life of Walter Mitty” take their place alongside light-hearted essays on food, tennis, and taxis, and flights of fancy that follow an apparently simple premise to the point of no return, and sometimes well beyond. Here you will find large insights (Woody Allen: “Why does man kill? He kills for food. And not only food: frequently there must be a beverage”) and hard-earned wisdom (Ian Frazier on dating your mom: “Here is a grown, experienced, loving woman—one you do not have to go to a party or a singles bar to meet, one you do not have to go to great lengths to know”). And, not least, a great deal of helpful advice, including Steve Martin’s on memory and middle age: “Bored? Here’s a way the over-fifty set can easily kill a good half hour: 1. Place your car keys in your right hand. 2. With your left hand, call a friend and confirm a lunch or dinner date. 3. Hang up the phone. 4. Now look for your car keys.”

    A rich selection of humorous verse includes caustic gems by Dorothy Parker, the effortless whimsy of Phyllis McGinley, and Ogden Nash’s unforgettable slapstick prosody, as well as forays by luminaries who ought to have known better, like Robert Graves, Elizabeth Bishop, and W. H. Auden.

    A wonderful gift for others, or a delightful treat for oneself, Fierce Pajamas is a treasury of laughter from a publication described by Auden as “the best comic magazine in existence.”

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    About David Remnick

    DAVID REMNICK has been the editor of The New Yorker since 1998 and before that was a staff writer for… More about David Remnick

    About David Remnick

    DAVID REMNICK has been the editor of The New Yorker since 1998 and before that was a staff writer for… More about David Remnick

    About David Remnick

    DAVID REMNICK has been the editor of The New Yorker since 1998 and before that was a staff writer for… More about David Remnick

    Product Details

    Category: Humor | Classic Nonfiction | Essays & Literary Collections

    Paperback | $24.00
    Published by Modern Library
    Oct 15, 2002 | 528 Pages | 6-1/8 x 9-1/4 | ISBN 9780375761270

    Category: Humor | Essays & Literary Collections

    Ebook | $6.99
    Published by Random House
    Dec 11, 2001 | 528 Pages | ISBN 9781588360670

    Category: Humor | Essays & Literary Collections | Audiobooks

    Audiobook Download | $14.95
    Published by Random House Audio
    Nov 13, 2001 | 362 Minutes | ISBN 9780375419966

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    Praise

    “A complete delight from beginning to end.” —The New York Times

    “Classic humor writing from a fantasy slumber party of writers.” —Vanity Fair

    “Quite simply among the greatest stuff like this ever written . . . There is comic brilliance in these pages. . . . [Fierce Pajamas] is more than worth your time, your money and the potential damage to your funny bone.” —The Atlanta Journal-Constitution

    “The New Yorker’s fine anthology of humor writing can inspire us to collectively bemoan the scarcity of a certain kind of printed comedy: the subtle and sophisticated type." —Newsday

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