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Published on Jan 04, 2005 | 368 Pages
In a brilliant combination of biography, literary criticism, and history, The Bronté Myth shows how Charlotte, Emily, and Anne Bronté became cultural icons whose ever-changing reputations reflected the obsessions of various eras.
When literary London learned that Jane Eyre and Wuthering Heights had been written by young rural spinsters, the Brontés instantly became as famous as their shockingly passionate books. Soon after their deaths, their first biographer spun the sisters into a picturesque myth of family tragedies and Yorkshire moors. Ever since, these enigmatic figures have tempted generations of readers–Victorian, Freudian, feminist–to reinterpret them, casting them as everything from domestic saints to sex-starved hysterics. In her bewitching “metabiography,” Lucasta Miller follows the twists and turns of the phenomenon of Bront-mania and rescues these three fiercely original geniuses from the distortions of legend.
When literary London learned that Jane Eyre and Wuthering Heights had been written by young rural spinsters, the Brontés instantly became as famous as their shockingly passionate books. Soon after their deaths, their first biographer spun the sisters into a picturesque myth of family tragedies and Yorkshire moors. Ever since, these enigmatic figures have tempted generations of readers–Victorian, Freudian, feminist–to reinterpret them, casting them as everything from domestic saints to sex-starved hysterics. In her bewitching “metabiography,” Lucasta Miller follows the twists and turns of the phenomenon of Bront-mania and rescues these three fiercely original geniuses from the distortions of legend.
Author
Lucasta Miller
Dr. Lucasta Miller is a British critic and historian who has lectured and broadcast widely on 19th-century literature. Her influential afterlife study, The Bronte Myth, first published in 2001, was reissued in a new edition in 2020; her pioneering biography of the ‘female Byron’ Letitia Landon was shortlisted for the NBCC awards in 2019. She has worked as a profile-writer for the Guardian and contributed to the Financial Times, the Daily Telegraph and the BBC. A former visiting fellow at Lady Margaret Hall, Oxford, she is currently Royal Literary Fund Fellow at the Courtauld Institute and reviews for The Spectator.
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