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Published on Feb 13, 2001 | 160 Pages
A contemporary prose rendering of the great medieval French epic, The Song of Roland is as canonical and significant as the Anglo-Saxon Beowulf. It extols the chivalric ideals in the France of Charlemagne through the exploits of Charlemagne’s nephew, the warrior Roland, who fights bravely to his death in a legendary battle. Against the bloody backdrop of the struggle between Christianity and Islam, The Song of Roland remains a vivid portrayal of medieval life, knightly adventure, and feudal politics. The first great literary works of a culture are its epic chronicles, those that create simple hero-figures about whom the imagination of a nation can crystallize, observed V. S. Pritchett.
The Song of Roland is animated by the crusading spirit and fortified by national and religious propaganda. This edition features W. S. Merwin’s glowing, lyrical translation.
The Song of Roland is animated by the crusading spirit and fortified by national and religious propaganda. This edition features W. S. Merwin’s glowing, lyrical translation.
Author
W. S. Merwin
W. S. MERWIN was born in New York City in 1927 and grew up in Union City, New Jersey, and in Scranton, Pennsylvania. From 1949 to 1951 he worked as a tutor in France, Portugal, and Majorca, and over the course of his life, he lived in many parts of the world. He was the recipient of many awards and prizes, including the Fellowship of the Academy of American Poets, the Pulitzer Prize in Poetry, the Bollingen Prize in Poetry, the Governor’s Award for Literature of the state of Hawaii, the Tanning Prize for mastery in the art of poetry, a Lila Wallace-Reader’s Digest Writers’ Award, and the Ruth Lilly Poetry Prize. He died in 2019.
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