How to Leave the House

Praise

“It is a miracle to pull of the feat of being wickedly scabrous (incurring in this reader loud snorts of laugher throughout) and managing somehow to be generous and ultimately warm-hearted too; a miracle that Nathan Newman pulls off brilliantly. What a debut.” —Stephen Fry, actor and comedian

“Newman weaves the analytical and the absurd with a raucous grace. . .How to Leave the House is generous and witty, as bewitched by aesthetics as it is certain of the virtues of good old-fashioned compassion. . . .Profound—and profoundly sidesplitting.” —Bobby Finger, The New York Times

“A really terrific, inventive and compelling read – and also very funny.” — Ben Elton, actor and comedian

“Zippy.” —The New Yorker

“I tore through, and already can’t wait to read again. . . .If you like stories about messy queer twenty-three-year-olds, and if you also like a twenty-first century take on English village life, and if you also have the Internet, you’re going to need to read this book.” —Andrea Lawlor, author of Paul Takes the Form of a Mortal Girl

“Newman’s entertaining debut feels fresh and young, portraying modern life with a mixture of humor and reflection.” —The Washington Post

“Rich with pathos and humor. . .Newman certainly has something to say about the up-and-coming generation. This is a bold new voice, and one to watch.” —Associated Press

“A witty, sprawling story about life’s big changes and the things that never change, told with style and smarts by a remarkable new voice.” —Town & Country

“It’s impossible not to be charmed by this big-hearted story. . . an exciting debut from an author whose assuredness and polish could easily be mistaken for that of an old pro.” —Bustle

“Sometimes what you really need is a full-on caper. . . the novel collects a series of idiosyncratic characters, whose lives and loves and thoughts about art build to a hilarious cacophony not unlike our own.” —Lithub’s Most Anticipated List 2024

“A bawdy tale of the unseriousness of existence and the impossibility of knowing our neighbors. . . .How to Leave the House is fiction as friction, designed for discomfort. This is a novel of dichotomies that beg to be challenged, with psychological spaces that desperately need transparency but are inherently, tragically closed off to each other.” —Book Page

“Raucous. . . smart and funny, Newman’s debut is a refreshing take on juvenilia and the enduring potency of art discourse.” —Kirkus

“Newman debuts with a witty and endearing mosaic novel…The situations are enjoyably farcical, but there’s also depth to them, as Newman delves into their characters’ hidden passions and shows how they grapple with their self-defeating choices. This raucous adventure is great fun.” —Publishers Weekly

“Nathan Newman’s How to Leave the House is a brilliant exploration of the many absurd and human ways that our lives intersect. Their sharp, honest prose skillfully reveals the vulnerability and desire coursing through the center of characters. This is the rare novel that is just as compassionate as it is funny, as engaging as it is smart.” —Isle McElroy, author of People Collide

“How to Leave the House is gobby, barbed, and garrulous; a novel that takes swings, with swagger.” —Eley Williams, author of The Liar’s Dictionary

“Most books that claim to be funny aren’t actually all that funny. How to Leave the House is a rare exception – genuinely hilarious, utterly obnoxious, impressively daring.” —Keiran Goddard, author of Hourglass
 
“Witty, sharply observed and truly original.” —Nicola Dinan, author of Bellies
 
“A wild and funny ride through modern life.” —The Financial Times